Our favorite bit: the huge hypodermic needle. The special effects are adequate, but the dialogue is ridiculous-in fact, if we didn't know better, we'd say that the film was intended to be funny. Clean in a diaper, the Colossal Man goes on a murderous rampage, laying waste to several Las Vegas landmarks before he is killed by army bullets while standing atop the Boulder Dam. This sudden height gain adversely affects the poor man's mind, and soon he's as mad as a hatter. As a result, Langan grows, and grows, and grows, at the rate of ten feet per day. While overseeing the atomic tests in the Nevada desert, Army colonel Glenn Langan is exposed to extensive amounts of radiation. (79 Min.) Genre: 1950 HORROR-SCIFI, Transfer Quality: BĪ 'Shock Theater' perennial since it was first released to television in the early 1960s (stretch-framed to pad out its running time), The Amazing Colossal Man is firmly in the 'So Bad It's Good' category. Starring: Beverly Garland, George Macready, Richard Crane, Lon Chaney, Jr., Frieda Inescort, Vince Townsend, Jr. The Alligator People was the last film directed by Roy Del Ruth, light years away from his glory days at Warner Bros. The story is told in flashback, as psychiatrists try to figure out what has driven Garland insane. Garland must figure out a way to save her mutated husband from both the scientist and a drunken alligator hunter (Lon Chaney Jr.). Her reunion with her husband is tarnished by the fact that he's been partially transformed into an alligator! This is the handiwork of doctor George MacReady, who's been conducting curious experiments with gators and humans.

She tracks him down to the swamplands surrounding his family mansion. (73 Min.) Genre: 1950 HORROR-SCIFI, Transfer Quality: BĪ confused horror yarn set in the Deep South, Alligator People stars Richard Crane as a husband who becomes accidently separated from his new wife (Beverly Garland) during a train ride.

These actors included: Barbara Payton, Barbara Rush, Beverly Garland, John Agar, Peter Graves, Peter Cushing, Christopher Lee, Vincent Price, Boris Karloff, Lon Chaney, Jr, John Carradine. These actors kept busy appearing in many of these films enabling a Déjà vu effect amongst many moviegoers. The horror and sci-fi films of the 50's featured a long list of B-list actors as well as some aging, former A-list actors. Understandably, this was also the era when horror and sci-fi films slowly transitioned to the lower budget, B-movie status (eschewing A-list stars and awards).ĭespite sharing company within this genre renowned for its campiness, there were a few films that transcended this B-movie norm The War of the Worlds (1953) and 20,000 Leagues Under the Sea (1954) won Academy Awards, while The Incredible Shrinking Man (1957) won a Hugo Award. Our fear of nuclear weapons and invasion -though real, also provided the escapism moviegoers needed in the ‘50s.Īctual atomic tests and UFO sightings provided plenty of inspiration for filmmakers giant mutant insects, lizards, transformed human beings, and aliens were the defining hallmarks this era. This was the decade that reflected our workaday fear and trepidation of communism and the atomic age. But in the 1950s, things went drastically sideways. We witnessed a more linear transition between the horror and sci-fi films from the 1930s to the ‘40s.

Ed karnes warning label expert